Nurse Prabha is a veteran at the busy urban hospital, her friend Anu is caught up in the first thrill of romance with her Muslim boyfriend and cook Pavarty, recently widowed, has no documentation to prove that she has lived in her home, and thus no rights. The first Indian film to win the Grand Prix at Cannes, All We Imagine as Light is a beautiful, sweeping, emotional film that explores the complexities of female friendship and captures the frantic and heady atmosphere of modern Mumbai. It is also the first film from India to compete in the main competition at Cannes for 30 years and Payal Kapadia is the first Indian female filmmaker to do so.

Mark says:
“The arrival of a rice cooker would not normally be cause for much interest in modern Mumbai, but for nurse Prabha it could be very significant. Is it from her estranged husband who she’s not seen for over a year? Director Payal Kapadia uses her documentary skills to immerse us in the everyday, often filming without permits “guerrilla style” to capture her actors on the streets and cafes of this extraordinary city. The challenges facing of Prabha and her friends are highlighted by their calm determination in direct contrast to the relentless energy of humanity that surrounds them. All We Imagine as Light was chosen by many as the best film of 2024.”

Reviews:

“It’s a film that feels like a long exhale, the moment of unburdening after a tight embrace. It’s beautiful.” Clarisse Loughrey, The Independent.

“It’s a boldly intimate film that feels so real it could be non-fiction, with some of the best performances you’ll see all year.” Shannon Connellan, Mashable.

“All We Imagine as Light captures the depth and beauty behind the routine of three women and the torrent of life (and water) of the city of Bombay.” Elsa Fernández-Santos, El Pais.

“A refreshing and bold piece of art that explores the power of womanhood, and the deep cultural, class and religious divisions that continue to haunt the country till now.” Anushka Yadav, NOW Toronto.